Granite and Composite Quartz Kitchen Worktops Benchtops
Specifications of Granite And Composite Quartz Kitchen Worktops Benchtops Primary Color(s): White, Gray, Beige, Black, Cream, Brown, Green, Yellow, Pink, Red, Blue, Purple Stone Type: Granite and Quartz Stone Country of Origin: China Available Finishes: polished, honed, flamed, brushed,...
Specifications of Granite And Composite Quartz Kitchen Worktops Benchtops
Primary Color(s): White, Gray, Beige, Black, Cream, Brown, Green, Yellow, Pink, Red, Blue, Purple
Stone Type: Granite and Quartz Stone
Country of Origin: China
Available Finishes: polished, honed, flamed, brushed, pickling, antique, etc.
Available Sizes of Granite And Composite Quartz Kitchen Worktops Benchtops
Commercial & Residential
Countertops & Table Tops
Garden Stone Products
But the composition on the balance does not have to use about completely symmetrical approach. Sometimes you can use a side of the high-rise, side of the method; sometimes you can use a large volume and side with a few small volume method or other methods to achieve a balance. This form of diversity is due to terrain conditions, or due to the special requirements of the function generated. But also because of the architect's favorite and made out. Many of the buildings in the mountains take an asymmetric form, which is due to terrain restrictions. Some industrial buildings due to the needs of the process, in a certain position will highlight some of the particularly high parts, high and low, and sometimes also achieved good artistic effect. Rhythm rhythm and rhythm are important factors that make up the artistic image of a building; the proportions mentioned above are many of the proportions of rhythm or rhythm. This rhythm and rhythm can be seen anytime, anywhere, for example, from Tiananmen through the door to the door, Tiananmen Square is a key section or a beat, and then on both sides of the thousand galleries, each row of equidistant pillars, Rhythmically arranged. But every nine or eleven, the rhythm will break off, plus a wall, the roof of the ridge also followed off about. After such a few paragraphs, there is something confrontation between the temple and the door, as if the introduction of a new theme. So rhythmic rhythm has been to reach the end door, and then repeat it again to the Meridian Gate. In fact, almost all the buildings, whether in the horizontal direction or vertical direction, have its rhythm and rhythm. If we analyze it, you can see the rhythm of the building, rhythm and music is sometimes very similar. For example, there is a building, from left to right or from right to left, is a column, a window; a column, a window arranged in the past, like "column, window; column, window; column, window; ... "2/4 of the beat, if the column of the arrangement of the two windows, a bit like" column, window, window; column, window, window; ... ... "waltz. If the column three windows arranged, is the "column, window, window, window; column, window, window, window; ... ..." 4/4 beat. In the vertical direction, also the same rhythm, rhythm; Beijing Guangan door outside the Tianning Temple is a funny example. From the next look, the bottom is a flat is not significant platform; the following is the same two layers of the same high overlap Xu Mi; and then go up a week to pick a small platform, specifically known as flat seat; , The railing is a three-layer lotus seat, and then up to the tower itself, the height and two layers of Minami are roughly equal; then up to the thirteen layers of eaves; the most is the tip of the tip of the tip, the top is the spire of the beads. According to this level and their different proportions, we roughly (only roughly) can see (rather than hear) such a rhythm (see page 18 "Beijing Tianning Temple Rhythm Analysis"). I am not here far from the meeting. If the comrades do not believe, please go to Guang'an door to see, from this picture can also be seen. Texture in the architectural art effect on another factor is the texture of the texture, that is the texture of the material surface feel.